(Source: allegedco, via tricksoutofoursleeves)
“When you set up pictures, you’re not at any risk. Reality involves chance and risk and diving for pearls.”—Nan Goldin
Fifty years ago, during a tumultuous 1963, Constantine Manos joined Magnum Photos. Reared in South Carolina to Greek immigrant parents, he has for over 60 years taken photographs that are about light, shadow and what can be revealed in a moment. His pioneering work in color, and recognized expertise with a Leica still capture our attention.
The Museum of Art Ft. Lauderdale’s latest show, Florida Color, mines work from Manos’s “American Color” series. While this work has already received wide acclaim, I wonder what Floridian’s make of seeing images of their compatriots inside a museum. Are they a mirror or a window? —Lane Nevares
(via photographsonthebrain)
![fotojournalismus:
An Afghan refugee girl walks back to her home in a poor neighbourhood on the outskirts of Islamabad, Pakistan on May 21, 2013.
[Credit : Muhammed Muheisen/AP]](http://25.media.tumblr.com/d5af49d6357c100e86b024888b2a3896/tumblr_mn7r74CeHC1r44q44o1_1280.jpg)
An Afghan refugee girl walks back to her home in a poor neighbourhood on the outskirts of Islamabad, Pakistan on May 21, 2013.
[Credit : Muhammed Muheisen/AP]
(Source: sibelilium, via adr-ift)
etsy:
Paintings of swimmers by Samantha French on Etsy.
Jean-Luc Godard shooting his latest film Adieu au langage
Portrait de JLG sur le tournage d’Adieu au langage
Photo : Monique Moser
(via photographsonthebrain)
